
Carlyle Brown is a writer/performer and
artistic director of Carlyle Brown & Company based in Minneapolis, which
has produced The Masks of Othello: A Theatrical Essay,
The Fula From America: An African Journey, and Talking
Masks. His plays include The African Company Presents
Richard III, The Little Tommy Parker Celebrated Colored
Minstrel Show, Buffalo Hair, The Beggars’
Strike, The Negro of Peter the Great, Pure
Confidence, A Big Blue Nail and others. He has received
commissions from Arena Stage, the Houston Grand Opera, the Children’s
Theatre Company, Alabama Shakespeare Festival, Actors Theatre of
Louisville, The Goodman Theater, Miami University of Ohio and the
University of Louisville. He is recipient of playwriting fellowships
from the New York Foundation for the Arts, National Endowment for the
Arts, McKnight Foundation, the Minnesota State Arts Board, Jerome
Foundation, Theatre Communications Group and the Pew Charitable Trust.
Mr. Brown has been artist-in-residence at New York University School of
the Arts Graduate Acting Program, The James Thurber House in Columbus,
and Ohio State University Theater Department where he directed his music
drama, Yellow Moon Rising. He has been a teacher of expository
writing at New York University; African-American literature at the
University of Minnesota; playwriting at Ohio State University and
Antioch College; African American theater and dramatic literature at
Carlton College as the Benedict Distinguished Visiting Artist, and
“Creation and Collaboration” at the University of Minnesota Theater
Department. He has worked as a museum exhibit writer and story
consultant for the Charles Wright Museum of African American History in
Detroit and the Kentucky Center for African American Heritage in
Louisville. Mr. Brown is a core member at
Playwrights’
Center in Minneapolis and he is an alumnus of New Dramatists in New York
and a member of the Dramatists Guild. He is on the board of directors
of The Playwrights’ Center and Theatre Communications Group, the
national organization for the non-profit professional theater and the
Jerome Foundation. He is a member of the Charleston Jazz Initiative
Circle at the Avery Research Center for African American History and
Culture at the College of Charleston in Charleston, South Carolina where
his works and papers are archived. He is the 2006 recipient of The
Black Theatre Network’s Winona Lee Fletcher Award for outstanding
achievement and artistic excellence and a 2008 Guggenheim Fellow.